![]() It's a serviceable overview of their post-blacklist output, though fans might prefer the less patchwork flow of the original albums, especially the ones recorded just after the group reformed in 1955. Listening to these, one is struck by the sheer number of folk standards that the Weavers were instrumental in popularizing: "Kisses Sweeter Than Wine," "Tzena Tzena," "Goodnight Irene," "Wimoweh," "On Top of Old Smoky," "Guantanamera," "Rock Island Line," "The House of the Rising Sun," "Michael Row the Boat Ashore," "If I Had a Hammer," and "Midnight Special." It's also undeniable that their interpretations can smack of tame quaintness so far removed, time-wise, from their original setting. In any case, this has 24 songs drawn from live and studio performances in 19, almost all of them including Pete Seeger in the lineup (there are also two previously unreleased tracks from the 1960 Newport Folk Festival). These are not the biggest-selling original versions of the staples of their repertoire, but they also feature only the group and their acoustic instruments, without the added orchestration that some felt diluted their early studio recordings. Their style inspired the commercial folk music boom that followed them in the 1950s and 1960s. ![]() That might be construed as either an advantage or disadvantage, depending on your perspective. Wimoweh 1952 The Weavers were an American folk quartet from Greenwich Village in New York City who sang traditional folk songs from around the world, as well as blues, gospel music, children’s songs, labor songs, and American ballads. ![]() The Weavers' stint at Vanguard, it should be noted, took place after they had their big pop hits in the early 1950s. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |